Ive written swags of songs during covid and am heading into Studio 150 Bethlehemkerk in Amsterdam to record a bunch of them in April. The 9 or 10 tunes I plan to track in there belong together, but more to the point they lend themselves to being recorded with a big spacious room sound. 150 is a former church and Im looking forward to getting in there and “playing the room” with Madelief van Vlijmen on bass/piano/keys and bvs, Mischa Porte on drums/percussion and Stefan Wolfs on pedal steel and guitars. We plan to use the ambience of the big church like an extra instrument and extra band member. I thought long and hard about not hiring expensive stuido time (150 is high end of the market lush), especially in the current shit climate, but this bunch of tunes is really going to benefit from true ambience in a way that cant be done with digital modelling. I have a whole bunch of other material that Im happier to faff about with at home via file swapping without the added cost of big studio time, but these tunes are screaming room and depth. Ill be working on the home-recordings in parralell so have 2 rekkids at least, maybe 3 on the way. In the meantime, the little combo I have together for the Studio 150 sessions in April is sounding very exciting and imparting serious vibe to the material. There is an environmental theme on the new to-be-recorded record – I feel I have found a musical language that covers my feelings about it without sounding redundant or cliche. What a relief! Working title STAR & COUNTRY.
