Dan Tuffy, musician, producer.

  • Australian Tour

    The new record COUNTRY STAR came out on 2 June and gigs are planned for July & August in Australia, and for the fall in Europe (tickets in link!). There has also been attention in the music press like the story below from Music Maker in The Netherlands. They wrote that it was a “beautiful organic sounding” record. The title translates roughly to “Rough Textured Alt-Country via Black & White TV tubes”. The Dutch language is all about precision and exactness. Clearly, I overdid when I was asked me about my gear. I told them all about my new-old stock 1957 General Electric television vacuum tubes that currently occupy my main guitar amp – for a long time. They ran with it.

    Then there’s this: by the time an album comes out I’ve heard it so often that I’m ready to move on. I’m rehearsing for my upcoming shows at the moment and I should be going over the stuff thats just come out or other things I want to play live, but I find myself mucking about on some new riff, groove or song fragment instead. Is this a problem? I will no doubt find out the next time I walk onto a stage in front of you. Meanwhile, if you havent had a listen to COUNTRY STAR already, wrap your listening gear around this and wish me well!

  • The records out – now what?

    The new record COUNTRY STAR came out on 2 June and gigs are planned for July & August in Australia, and for the fall in Europe (tickets in link!). There has also been attention in the music press like the story below from Music Maker in The Netherlands. They wrote that it was a “beautiful organic sounding” record. The title translates roughly to “Rough Textured Alt-Country via Black & White TV tubes”. The Dutch language is all about precision and exactness. Clearly, I overdid when I was asked me about my gear. I told them all about my new-old stock 1957 General Electric television vacuum tubes that currently occupy my main guitar amp – for a long time. They ran with it.

    Then there’s this: by the time an album comes out I’ve heard it so often that I’m ready to move on. I’m rehearsing for my upcoming shows at the moment and I should be going over the stuff thats just come out or other things I want to play live, but I find myself mucking about on some new riff, groove or song fragment instead. Is this a problem? I will no doubt find out the next time I walk onto a stage in front of you. Meanwhile, if you havent had a listen to COUNTRY STAR already, wrap your listening gear around this and wish me well!

  • new song just out

    I know it – I’m not a COUNTRY STAR. It’s just the title of my upcoming album (due June 2, 2023). It’s not even a country record. At a stretch its alt-country but that’s a straight-jacket that doesn’t cut it for me either. A blogger in Philadelphia recently reviewed the opening track DON’T SMOKE IN BED which is just out and he called me an “indie-folk Santa Claus”! Maybe thats closer. Whatever -I wrote it a long, long time ago. I first recorded it live in concert with Big Low in about 2002 and it appeared on a very rare EP called “3 Songs for 10 bucks” which I no longer have. I must’ve wrote it sometime in the mid to late 1990’s. I know I never attempted to bring it into the Wild Pumpkins at Midnight set (we were still going then) and it certainly didn’t last very long in Big Lows repertoire (2002 till 2013). I don’t know why. It’s as if the songs decide which context they want to come to life in or not you cant force any of that, you end up squeezing the life out of them if you do. So it disappeared for about 20 years until recently when Madelief van Vlijmen (picture in link) & I were bouncing ideas around and it re-emerged out of nowhere. She was on her little Paul MCartney Hofner bass that I love the sound of and we started playing it tentatively. The way she put a loopy melodic line underneath it sparked it up and made it feel brand new. We were, approaching the tune cautiously, not thinking too much, you know – noodling and vibing on something. “Super-chill” is what I think MF said about it, and it was. We’ve been playing it ever since and I never tire of it. The song had finally found its voice or I had finally landed in it or something….so I recorded it with Madelief and the rest of SONG CREW and this is the result! I often find myself re-writing when I dig up old stuff like this but this time I didn’t. I found the original draft on a crumpled piece of paper in a shoebox amongst scraps and pieces that I’ve kept over the years and I could find no reason to mess with it. Back when I wrote it I had no idea what I was trying to say, which I think is always a good place to start! Looking at it now it seems clear that I’m exploring what kind of advice I would give myself if I were to go back through my dreams, the low-valley mist of past experiences and personal history, and what would that then sound like through the lens of an incoherent narrative about who I am. I get excited just thinking about that. Hope you enjoy the tune