Dan Tuffy, musician, producer.

  • Setting the Big Man free

    I know it – I’m not a COUNTRY STAR. It’s just the title of my upcoming album (due June 2, 2023). It’s not even a country record. At a stretch its alt-country but that’s a straight-jacket that doesn’t cut it for me either. A blogger in Philadelphia recently reviewed the opening track DON’T SMOKE IN BED which is just out and he called me an “indie-folk Santa Claus”! Maybe thats closer. Whatever -I wrote it a long, long time ago. I first recorded it live in concert with Big Low in about 2002 and it appeared on a very rare EP called “3 Songs for 10 bucks” which I no longer have. I must’ve wrote it sometime in the mid to late 1990’s. I know I never attempted to bring it into the Wild Pumpkins at Midnight set (we were still going then) and it certainly didn’t last very long in Big Lows repertoire (2002 till 2013). I don’t know why. It’s as if the songs decide which context they want to come to life in or not you cant force any of that, you end up squeezing the life out of them if you do. So it disappeared for about 20 years until recently when Madelief van Vlijmen (picture in link) & I were bouncing ideas around and it re-emerged out of nowhere. She was on her little Paul MCartney Hofner bass that I love the sound of and we started playing it tentatively. The way she put a loopy melodic line underneath it sparked it up and made it feel brand new. We were, approaching the tune cautiously, not thinking too much, you know – noodling and vibing on something. “Super-chill” is what I think MF said about it, and it was. We’ve been playing it ever since and I never tire of it. The song had finally found its voice or I had finally landed in it or something….so I recorded it with Madelief and the rest of SONG CREW and this is the result! I often find myself re-writing when I dig up old stuff like this but this time I didn’t. I found the original draft on a crumpled piece of paper in a shoebox amongst scraps and pieces that I’ve kept over the years and I could find no reason to mess with it. Back when I wrote it I had no idea what I was trying to say, which I think is always a good place to start! Looking at it now it seems clear that I’m exploring what kind of advice I would give myself if I were to go back through my dreams, the low-valley mist of past experiences and personal history, and what would that then sound like through the lens of an incoherent narrative about who I am. I get excited just thinking about that. Hope you enjoy the tune

  • More shows in view

    Have just done a couple of strange 1,5 metre shows. This post gig shot tells that story. A half-full room is suddenly the new full room. We played 2 sets to 2 different paying audiences last Sunday evening at the Blue Room Sessions in Den Bosch. Its good to be back out doing shows but if feels odd and, frankly, very fragile – as if it could fall apart again any minute. I hope it dont. We have a couple of fine shows planned though; the Walk the Line Festival at Tivoli Vredenburg in Utrecht, Grounds in Rotterdam, a great Pop-Up show in Wageningen. Check the SHOWS tab for details. Meanwhile I kinda like the post gig shennanigens I get up to with Madelief van Vlijmen (coolest bass player) and Stefan Wolfs (coolest geetahs) captured here very nicely. We had fun. More please!

  • Crawling back

    As restrictions lift and strange little social distancing gigs begin to loom on the horizon I find myself feeling a mixture of indifference and trepidation. Ive done 1 or 2 social distancing shows, as well as a couple of online streaming gigs – they were cool I suppose but they also felt a bit like 2% milk, and reminded me of how great it actually is to play to a properly filled room to real flesh and blood people. I miss that. The trepidation comes from the thought that this could go on for a long time yet. The challenge is to adjust to this new reality. Im doing the best I can under the circumstances – everyone is. In the meantime, I count myself among the lucky souls who hasnt yet lost anybody (touch wood!) and who lives in a country where people actually have space in their blessed and privelidged lives to even contemplate music, art etc let alone create it. You gotta stop and think about that sometimes. It put things into perspective. In the meantime, here is a cool little video of a song of mine with footage of my daughter growing up in these times.